By Andrés Molteni Neogestalt Center Director. The official project is the destruction of the theater as a source of creation itself to be replaced by the recruitment of foreign companies, with production, work and wages for others detriment of the Argentine culture and development.
What is irrational to me is how these rulers sepoys representatives multinationals and concentrated economic groups may be elected by Argentine citizens who share in the same sepoys gral atrocious. That's why we can not let up in the culture war to defeat these groups and their strategies 
Let's review the facts: damage to movable and immovable property of the theater, were repeatedly denounced by the architect Fabio Grementieri, awarded internationally for his work as an expert in heritage conservation . (The Nation 11.19.2008) charged that the tasks performed and performed in the theater are outside international conservation recommendations, run by professionals with no history, affecting both movable and immovable heritage whose conservation is the maximum public interest. Materials and inadequate procedures, lack of inventory, stored in conditions that not only protect but also accelerate the deterioration of heritage, scenery, costumes, incunabula, donations, and so on. The World Monuments Fund analyzed the case of the Teatro Colón and included in the list of 100 Most Endangered Monuments of the World. "The central theme is that people who have been in charge of the work of Teatro Colón do not know about it, and those same people is what goes on in this administration. Added to that, there is a management company in charge of the work that does not know of intervention in historical buildings. They spent several administrations, prime ministers, directors of Columbus and legislators, but nothing happens. Meanwhile, the National Commission on Historical Monuments complicit in this situation for not having prosecuted the matter "argued the architect Grementieri, in a press conference in which workers of the theater announced the launch of a new appeal with justice. (The Nation August 7, 2009). Result:
Grementieri architect was furnished by the Professional Council of Architects and Planners of which the accused belong. The history of the stage floor was replaced with a new . What happened to the old?
was converted into a souvenir, a gift enterprise Patagonia Flooring & Decks, the company that built the new floor. The CEO of the company he told the daily La Nación (January 9, 2011) that those responsible for the restoration of the Teatro Colón told "Take out the trash here" . With this "junk" wanted to make a corporate gift in the style of the Berlin Wall. 
And this is what is being dismantled. was repeatedly denounced by the workers. Maximum Parpagnoli denounced "... discuss the functional damage is being done to the theater from the point of view of production. For example, according to analysis of official plans, you will lose 60% of the spaces intended for the production ... we demand an end to the shuttle, ending the steady dismantling of the bodies and the compliance by the government of Macri judgments ordering the reinstatement of all workers at the Columbus (The Nation August 7, 2009) Macri's plan went ahead, was built rehearsal room called the Bicentennial, the place where the room worked for years Saulo Benavente scenery, whose name pays homage to the artist who belonged to the bodies of the theater. A symbol of what is to erase the memory and convert a theater into a room to rent for events of any kind , advertising, jet set news awards at the expense of defending Theatre-factory workers.
Outsourcing gave us so much damage in other political times, and is now a basis for revision and correction, is a plan Macri. a colonial vision, typical of a project of Argentina dependent and subordinate to the centers of power. A cultural vision settled.
Amid protests
layoffs, retirements and transfers compulsive and the suspension of elections that would complete the directory with a workers' delegate (which the law itself requires theater autarky and the administration does not comply) coming to the end of introducing them Delegates demand for 55 million pesos, while freezing wages for the rest devaluing the activity and precipitating a conflict that threatens the achievement of 2011 season. are all the ingredients: union persecution, anti-democratic behavior, job insecurity, destruction of cultural heritage, impairment of memory and the dignity of our artists and workers, improvisation, inefficiency and authoritarianism. We can not be indifferent to this is going invisible to the sight.
Because it seems that Macri has worked hard to make things "right" at the Teatro Colon. you think an empty box where you can move imported artists and scenery without the uncomfortable presence of Argentine artists who unruly talent also have their own ideas and the awkward property of their dignity. Defend the dignity of the theater and all Argentines. Defend our cultural heritage. Plácido Domingo to solidarity with workers who refuse to play until Macri lift the sanctions. And Macri said: "This is a shame. Argentina is a want not " and that's the only thing we agree, but Macri
referred us to stop and dignity of the theater and its workers. We
Macri beat but more than that we want to become flesh in our town will not allow these sepoys Argentines today represents both Macri as many other leaders of the fourth and serving the media and corporations can never again return to rule our country and our resources.
Source: Argentine Time
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